{"id":5836,"date":"2022-10-10T14:32:56","date_gmt":"2022-10-10T12:32:56","guid":{"rendered":"https:\/\/www.sfius.org\/?page_id=5836"},"modified":"2022-10-10T14:34:37","modified_gmt":"2022-10-10T12:34:37","slug":"victoria-mateos-de-manuel","status":"publish","type":"page","link":"https:\/\/www.sfius.org\/en\/victoria-mateos-de-manuel\/","title":{"rendered":"Victoria Mateos de Manuel"},"content":{"rendered":"

Victoria Mateos de Manuel –
Totalitarian Nostalgia in Slovene Current Curatorial Practices<\/h2>\n\n\n\n
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In this presentation, I would like to review two current expositions, which are found in Ljubljana. I am talking about the photography exhibition “Going East. A visual journey into the new Easter Europe” in Photon Gallery and “Folk Art between home and the world” in SEM. Both try to be analyzed from the soviet-exoticization and romanticization found in Spanish psychoanalytical imaginary background, strongly attached to the Civil War. The questions that directed the visit of these two exhibitions were: are totalitarian aesthetics recognizable? Is there an East imaginary pattern for the Spanish viewer that connects the artworks? What would make totalitarian Aesthetics attractive for the Spanish spectator?\u00a0<\/p>\n\n\n\n

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Biography<\/em>: <\/em><\/p>\n\n\n\n

Victoria Mateos de Manuel (Ph.D., SPA) is currently an independent researcher, school teacher since 2020, and MA student in Spanish as a Foreign Language with the research warburgian project\u00a0Ethosformel. <\/p>\n\n\n\n

Books:\u00a0El Silencio de Salom\u00e9. Ensayos coreogr\u00e1ficos sobre lo dionis\u00edaco en la modernidad\u00a0(CSIC\/Plaza y Vald\u00e9s, 2019),\u00a0Coreoteca. Un archivo de filosof\u00eda de la danza\u00a0(Ediciones Complutense, 2021). <\/p>\n\n\n\n

Web: https:\/\/independentresearcher.academia.edu\/VictoriaMateosdeManuel<\/a> <\/p>\n\n\n\n

Bachelor\u2019s degree in Philosophy (Universidad Complutense Madrid, 2009, with a 3-year excellence scholarship from the autonomous community of Madrid), Master of Arts in Gender and Diversity Studies (Freie Universit\u00e4t Berlin, 2011), Master\u2019s degree in Teacher\u2019s Training (Universidad Complutense Madrid, 2018), and European Ph.D. in Philosophy (Universidad Complutense Madrid, 2017), which was awarded the University Award for Doctoral Research in Philosophy and was funded by an FPU Scholarship of the Spanish Ministry of Education at the Institute of Philosophy of the Spanish Scientific Research Council (CSIC, 2012-15).<\/p>\n\n\n\n

Associate lecturer (profesor asociado 4+4) at the Faculty of Philosophy of Complutense University Madrid (2018-20). Study and research stays at Philosophische Fakult\u00e4t (Humboldt Universit\u00e4t zu Berlin, 2007-09), Institut f\u00fcr Theaterwissenschaft (Freie Universit\u00e4t Berlin, 2014), D\u00e9partement Danse (Universit\u00e9 Paris 8-Saint Denis, 2014-15), and Institut f\u00fcr Philosophie, Literatur-, Wissenschafts- und Technikgeschichte (Technische Universit\u00e4t Berlin, 2019). <\/p>\n\n\n\n

Additional training on the history of art and artistic practices through student vacancies and scholarships for specialization courses at Museo Nacional Centro de Arte Reina Sof\u00eda (Somateca, 2012) and Museo Nacional del Prado (2015-17, 2019). Work experience in Gender, Diversity, and Aesthetics through internships at RAA Berlin e. V. (2010), Handiclapped Kultur Barrierefrei Berlin e.V. (2010-18), Zentrale Frauenbeauftragte Freie Universit\u00e4t Berlin (2011), and Xochicuicatl Berlin e. V. Lateinamerikanischer Frauenverein (2010-11).<\/p>\n\n\n\n

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Victoria Mateos de Manuel –Totalitarian Nostalgia in Slovene Current Curatorial Practices In this presentation, I would like to review two current expositions, which are found in Ljubljana. I am talking about the photography exhibition “Going East. A visual journey into the new Easter Europe” in Photon Gallery and “Folk Art between home and the world”…<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-5836","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.sfius.org\/en\/wp-json\/wp\/v2\/pages\/5836","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sfius.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sfius.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sfius.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sfius.org\/en\/wp-json\/wp\/v2\/comments?post=5836"}],"version-history":[{"count":0,"href":"https:\/\/www.sfius.org\/en\/wp-json\/wp\/v2\/pages\/5836\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sfius.org\/en\/wp-json\/wp\/v2\/media?parent=5836"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}