{"id":6964,"date":"2024-09-20T15:48:14","date_gmt":"2024-09-20T13:48:14","guid":{"rendered":"https:\/\/www.sfius.org\/?p=6964"},"modified":"2025-02-04T19:02:34","modified_gmt":"2025-02-04T18:02:34","slug":"publication-introducing-nostalgia-movements","status":"publish","type":"post","link":"https:\/\/www.sfius.org\/en\/publication-introducing-nostalgia-movements\/","title":{"rendered":"Introducing Nostalgia Movements"},"content":{"rendered":"
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Following the successful interdisciplinary international conference Nostalgia Movements<\/a><\/em>, held on December 15-16, 2022, at the Multimedia Institute in Zagreb (MaMa<\/a>) and online, SF:ius, in collaboration with the Center for Visual Studies<\/a>, has published an expanded volume of conference papers. Titled Introducing Nostalgia Movements<\/em>, this book has been edited by Dr. Dario Vuger, Curator at the Museum of Fine Arts in Osijek. The volume includes scientific contributions, interviews, essays, and reviews of artistic works and is available in open access for all interested readers and researchers.<\/p>\n\n\n\n

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Introducing Nostalgia Movements<\/em> presents a psychogeographical outline of efforts to critically engage with the phenomenon of nostalgia in contemporary everyday life. Through essays, interviews, research, aesthetic reflections, and artistic responses, this volume seeks to demonstrate the scope of nostalgia\u2019s influence on modern culture as a way of life, an emotion, and as a reaction provoked by techno-scientific developments of the late 20th and early 21st centuries. Rather than offering a simple introduction or a concise history of nostalgia, this book serves as both an academic resource and a practical guide for understanding nostalgia, especially where its effects are most pronounced: in the popular culture of our time.<\/p>\n\n\n\n

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Download the PDF version here.<\/p>\n\n\n\n

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SEE CONTENTS<\/summary>\n

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PREFACE<\/p>\n\n\n\n

\u2022 STOP\/EJECT TAPE<\/strong><\/p>\n\n\n\n

1. Dario Vuger \u2013 Introduction: On the Nostalgic Turn in Contemporary Culture<\/p>\n\n\n\n

2. Unlocking Nostalgia \u2013 Interview with Grafton Tanner<\/p>\n\n\n\n

3. Nostalgia Between Fiction and (Hyper)reality \u2013 Interview with Kre\u0161imir Purgar<\/p>\n\n\n\n

\u2022 PLAY<\/strong><\/p>\n\n\n\n

4. Nade\u017eda \u010ca\u010dinovi\u0107 \u2013 Nostalgia: An Obstacle? \u2013 A Short Comment<\/p>\n\n\n\n

5. Bla\u017eenka Perica \u2013 \u201cSo Far, and Yet So Close\u2026\u201d: Media Possibilities Between Nostalgia and Aura<\/p>\n\n\n\n

\u2022 PAUSE<\/strong><\/p>\n\n\n\n

6. Silvia Pierosara \u2013 Nostalgias, Critical Memories, Imaginative Fabulations<\/p>\n\n\n\n

7. Alexei Kazakov \u2013 Revisiting Svetlana Boym as a Reader of Reinhart Koselleck<\/p>\n\n\n\n

8. Ronald Alvarez Vera \u2013 Nostalgia as an Existentialist Source Through Cinema<\/p>\n\n\n\n

9. Josip Klai\u0107 \u2013 Gesture and Space \u2013 Sacrifice of Performance and the Victory of Image<\/p>\n\n\n\n

\u2022 REV<\/strong><\/p>\n\n\n\n

10. Margherita Masseli \u2013 Yugonostalgia on Screen: The Case of Crno-Bijeli Svijet<\/p>\n\n\n\n

11. Nika Petkovi\u0107 \u2013 Vacations in Yugoslavia: Approaching the Home Movie Archives<\/p>\n\n\n\n

12. Tihana Pupovac et al. \u2013 Inappropriate Monuments Project<\/p>\n\n\n\n

13. Ivica Bakovi\u0107 \u2013 Yugo-Nostalgia Through the Lens of Pop Culture<\/p>\n\n\n\n

14. Reana Senjkovi\u0107 \u2013 Confiscated Memories (On Work and Unemployment)<\/p>\n\n\n\n

15. Victoria Mateos de Manuel \u2013 Totalitarian Nostalgia in Slovene Current Curatorial Practices<\/p>\n\n\n\n

\u2022 FF<\/strong><\/p>\n\n\n\n

16. [NOSTALGIA \u2013 TEMPORAL TEMPEST]<\/p>\n\n\n\n

\u2022 Igor Loinjak \u2013 Note on Nostalgia<\/p>\n\n\n\n

\u2022 Sara Sonas<\/p>\n\n\n\n

\u2022 Santos Ocasio<\/p>\n\n\n\n

\u2022 Cui Qin<\/p>\n\n\n\n

17. [NOSTALGIA MOVEMENTS POP \u2013 UP]<\/p>\n\n\n\n

\u2022 Ivana Ljubi\u010di\u0107<\/p>\n\n\n\n

\u2022 Teuta Gatolin<\/p>\n\n\n\n

\u2022 Dafne Berc<\/p>\n\n\n\n

\u2022 Juraj \u0160antori\u0107<\/p>\n\n\n\n

18. Timeless Blueprint for a Post-Visual Utopia \u2013 Interview with Zlatko Kozina<\/p>\n\n\n\n

19. USB_collective \u2013 Discarded Elements Reimagined and Rediscovered as a Retrospective 2014018023<\/p>\n\n\n\n

\u2022 REC<\/strong><\/p>\n\n\n\n

20. BIOGRAPHIES<\/p>\n\n\n\n

21. BIBLIOGRAPHY<\/p>\n\n\n\n

22. FURTHER READING<\/p>\n<\/details>\n<\/div>\n<\/div>\n\n\n\n

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Publishers<\/strong><\/p>\n\n\n\n

For the publishers<\/strong><\/p>\n\n\n\n

Design & Layout<\/strong><\/p>\n\n\n\n

Print<\/strong><\/p>\n<\/div>\n\n\n\n

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Center for Visual Studies, SF:ius<\/p>\n\n\n\n

Kre\u0161imir Purgar<\/p>\n\n\n\n

Layla Muniti\u0107<\/p>\n\n\n\n

BI GRAF, Ivani\u0107-Grad<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Display typeface<\/strong><\/p>\n\n\n\n

Icons<\/strong><\/p>\n\n\n\n

Illustrations<\/strong><\/p>\n<\/div>\n\n\n\n

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RK-ES by Eddie Stuart (OFL)<\/p>\n\n\n\n

Shashank Singh for The Noun Project (CC BY 3.0)<\/p>\n\n\n\n

Ivana Ljubi\u010di\u0107 (pages 389-390, 433-434, 477-478)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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ISBN 978-953-55420-7-0<\/p>\n\n\n\n

The CIP record is available in the computer catalog of the National and University Library in Zagreb under number 001230369.<\/p>\n\n\n\n

Printing completed in December 2023.<\/p>\n\n\n\n

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<\/p>","protected":false},"excerpt":{"rendered":"

Following the successful interdisciplinary international conference\u00a0Nostalgia Movements, held on December 15-16, 2022, at the Multimedia Institute in Zagreb (MaMa) and online, SF:ius, in collaboration with the\u00a0Center for Visual Studies, has published an expanded volume of conference papers. Titled\u00a0Introducing Nostalgia Movements, this book has been edited by Dr. Dario Vuger, Curator at the Museum of Fine Arts in Osijek. The volume includes scientific contributions, interviews, essays, and reviews of artistic works and is available in open access for all interested readers and researchers.<\/p>","protected":false},"author":1,"featured_media":7018,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[158],"tags":[309,316,188,317,311,327,216,238,312,315,177,3],"class_list":["post-6964","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publikacije","tag-book-design","tag-center-for-visual-studies","tag-dario-vuger","tag-grafton-tanner","tag-introducing-nostalgia-movements","tag-layla-munitic-2","tag-mama","tag-nostalgia-movements","tag-publication","tag-publication-design","tag-sfius","tag-vijesti"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.sfius.org\/en\/wp-json\/wp\/v2\/posts\/6964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sfius.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sfius.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sfius.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sfius.org\/en\/wp-json\/wp\/v2\/comments?post=6964"}],"version-history":[{"count":71,"href":"https:\/\/www.sfius.org\/en\/wp-json\/wp\/v2\/posts\/6964\/revisions"}],"predecessor-version":[{"id":7080,"href":"https:\/\/www.sfius.org\/en\/wp-json\/wp\/v2\/posts\/6964\/revisions\/7080"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sfius.org\/en\/wp-json\/wp\/v2\/media\/7018"}],"wp:attachment":[{"href":"https:\/\/www.sfius.org\/en\/wp-json\/wp\/v2\/media?parent=6964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sfius.org\/en\/wp-json\/wp\/v2\/categories?post=6964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sfius.org\/en\/wp-json\/wp\/v2\/tags?post=6964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}